K. V. Dominic's New Edited Book--World English Fiction: Bridging Oneness

Contents

A Quest for ‘the Otherness’ at the Crossroads of African Culture:  A Study of Achebe’ Things Fall Apart and Arrow of God

--Monir A Choudhury

The Helpless Male: Breaking with the Traditional Male/Female Roles in C. J. Cherryh’s Pride of Chanur and Foreigner 

--Krunslav Mikulan

Patriarchy and Racial Vulnerability: Love and Hate in Toni Morrison’s Love

--Mahboobeh Khaleghi

“Without Contraries Is No Progression”: Pictures from Italy (1846) by Charles Dickens

--Elisabetta Marino

Dialectical Exhumation of the Past in Keki Daruwalla’s For Pepper and Christ

--Asha Viswas

R. K. Narayan’s The Dark Room: A Twist to Conventional Notions of Feminism

--Ketaki Datta

The Place of Women in an Ecological Dystopia: A Revisit to Atwood’s The Handmaid’s Tale

--Jubimol K. G.

Contemporary Resonance in the Select Novels of Amitav Ghosh and Rohinton Mistry

--Chikkala Swathi

Between Two Worlds: Reading Diaspora in Kavita Daswani’s The Village Bride of Beverly Hills

--Charulatha Ravi

The Vision of Freedom in Jhumpa Lahiri’s The Namesake and Rabindranath Tagore’s Farewell My Friend

--Y. Vidya

Concerns within the Multicultural Mosaic: Henry Hwang’s F.O.B. as a Representative Chinese American Play

--Kavitha Gopalakrishnan

Love and Music: The Universal Emotion and Expression in Vikram Seth’s An Equal Music

--T. Ganga Parameswari

The Footsteps are Lost but Experiences Remain: A Critical Exposition of Silviu Craciunas’s The Lost Footsteps

--Aju Mukhopadhyay

Alienation and Mother Fixation in Stephen Gill’s Coexistence

 --Rupal Amyn Farista

Indian Omnipresence in Global Literature: Textualising the Diasporic Metaphors in K. S. Maniam’s The Return and Jhumpa Lahiri’s The Namesake

--Soumya Jose and Sony Jalarajan Raj

Silence and Words as Means of Resistance: A Reading of Resistance to Subalternity in Leopoldo Lugones’ “Yzur” Using Western and Indian Aesthetic Theories

--Vani. K

Discourse in Chitra Banerjee Divakaruni's Sister of My Heart

--V. Rajesh & J. Jaya Parveen

Journey from Self-alienation to Self-identification as Reflected in Shashi Deshpande’s The Dark Holds No Terrors

--Grishma Manikrao Khobragade

Exploring the Feminine Psyche--A comparative study of Zora Neale Hurston’s Their Eyes were Watching God and Shashi Deshpande’s Roots and Shadows

--S. Ambika

Gora: Tagore’s Formulation of the Spiritual Domain of Indian Nationalism

--Banibrata Goswami

Post Independence Political Scene as Presented in the Nigerian/African Novel

--Kiran Thakur

Emotional Crisis in Willa Cather’s The Professor’s House

--K. Rajaraman

Githa Hariharan’s The Thousand Faces of Night: Resistance to Patriarchy

--Sandhya Singh

Our Esteemed Contributors